The Secret · American Version
Illustration: THE BOOGIE MAN
Plate, American edition Zoom Full-size scan

Opposite page

The Boogie Man’s still getting down, when you’re just getting up.

THE BOOGIE MAN

Felus frigida

RANGE Uptown and ‘way across the tracks is where he’s at, they say, but if you have to ask, man, you’ll never find the way. He’s wailin’ in a cellar, kinda low and mean and sweet. He’s singin’ on the river. He’s dancin’ in the street. You hear him in the moonlight, but you lose him in the dawn, and anyplace you get to man, he been there— but he gone!

HABITS The Boogie Man is Dixieland. The Boogie Man is funk. The Boogie Man is po’ folks, makin’ beauty out of junk. Invented half the slang you use and every dance you do. He turns your whole world colored (like black and tan and blue). He teaches you the shimmy and the swingin’ Lindy hop, then puts you jitterbugs uptight with rock’ n’roll’ n’bop. He move so cool, his threads so fine, that everyone appear a silly imitation of the way he looked last year. He made you want to blow like Bird, or shuffle like Ali. Invisible and Beautiful, Unsuppressible and Free!

HISTORY African roots, man. Lion pride. Savannah, jungle, mountainside. Blood pulse drumbeat. Electric bird. Music. Ghost. Feeling. Word. Grandfather spirit, tall as a tree, follow the slave ships over the sea. Alive in the seed, alive in the flower, mystery family, history and power. Rainbow wearer, cakewalker, blues shouter, jive talker, soul brother, fire preacher, dream teller, truth teacher. Hey, Yankee Doodle up on your pony, that feather in your hat’s a phony, ’cause the coolest feather (or ain’t you heard?) shines on the wing of the jungle bird! SPOTTER’S

TIPS Too white puppets tryin’ to dance in too tight, too bright neon pants. Sweatin’ cool in a clubfoot step so square when it was hip to be hep. Finger snappin’ jazz collectors, pale eyed middle class defectors, lookin’ to score on a credit plan some soul from the soulful Boogie Man.

Two editions, one page

The American and Japanese printings side by side. Click either page to zoom in.

Illustration: THE BOOGIE MAN
American edition
Japanese edition page: THE BOOGIE MAN
日本語版 · Japanese edition

日本語版の本文

The Boogie Man · The Boogie Man

The Japanese text with an English back-translation.

Japanese text

棲息地 アップタウンの線路を越えたところにやつらはいるぜ。 天井の低い、うすぎたねえ地下室で,やつらはしりまくっているんだ。 河で歌い、通りで踊ってるのさ。 でもよ, 月明りのなかでは見えても、 夜明けにゃ消えちまうんだ、淋しいもんだぜ習性 ブギウギ・マンはデキシーランド。 ブギウギ・マンはファンク。 ブギウギ・マンはごみから美をつくる天才なんだ。 おい, あんた、 知ってたかい? あんたが使うスラングやあんたの踊るダンスのほとんどは、やつらがこしらえたものなんだぜ。世界じゅうに色を塗るんだってよ, 黒くな。 動きはバッグンにクールでよ, 着てるもんなんかさえわたってるぜ。 だれがまねしようと、だれもかないっこねえよ。 バード (チャーリー・パーカー) のように吹きたくなるってもんだぜ。 やつらのせいだよ, やつらのせいさ。

歴史 レキシ? レキシってなんだい? ふん, ブキ・ウギ・マンにゃそんなものいらねえよ。 えっ、くれるって? あんた、おちょくってるのかい?ブギウギ・マンってのは叫びだよ, 心の真底からの叫びなんだぜ。 あんたのいう歴史ってのは、いったいいままでブギ・ウギマンになにをくれたっていうんだい。 ふん, あんたらが勝手につくりあげた歴史なんかいらねえよ。 やつらは, 被害者なんだぜ!私立探偵の情報 タイトなパンツはいて踊ろうとする白いあやつり人形の行きたがるところに行ってみなやつらはそこにいるぜ。 指を鳴らしてよ, からだをゆすってさ。

English back-translation

Habitat They’re up past the tracks in the uptown. In low-ceilinged, grimy basements, they know everything. Singing on the river, dancing in the streets. But you can see them in the moonlight — come dawn they’ve vanished. Lonely, man.

Behavior Boogie Man is Dixieland. Boogie Man is funk. Boogie Man is a genius making beauty out of garbage. Hey, you know what? Most of the slang you use, most of the dances you do — they made all that. They paint the whole world a color. Black. Their moves are supremely cool, their clothes shine bright. Nobody can imitate them, nobody can touch them. Makes you want to blow like Bird. That’s their doing. All their doing.

History History? What’s history? The Boogie Man doesn’t need any of that. What, you’re gonna give him some? You mocking him? Boogie Man is a cry. A cry from the very bottom of the soul. What has your so-called history ever given the Boogie Man? Your history — the one you people made up yourselves — he doesn’t need it. They are the victims.

Field Intelligence Go where the white puppets in tight pants want to go when they’re trying to dance. They’ll be there. Snap your fingers. Move your body.

2 Comments

  1. Leendert Ver

    This is for the 8.New Orleans

    Reply
    • John W

      I disasgree. I thought the same thing at first; however, everything in the passage is about music and dance and the African slavery origins evolving into jazz, etc. This lends me to deduce this passage is about Charleston.

      Reply

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